Letter from Albuquerque

November 4, 1997

Dear Friends,

I write you in the aftermath of my 39th birthday—boys and empty bottles are still strewn casually about the room. I really have to think about picking up soon; the cats won’t stop batting them playfully behind the sofa, and it’s starting to make the boys cranky.

As is my tradition, not to say my wont, I spent The Day Itself at the movie theater, catching up on my pop culture. Because multiplexes are the one thing Albuquerque does especially well, I was able to take in four movies in a row at the new Century 24. This theater complex is so huge it’s almost like one of those Roman city-states you read about in classical history. If Albuquerque had been attacked by Killer Fog while I was there, hundreds of us could have survived for weeks on what they’ve got stocked in the concession stands (though there might have been trouble about the chocolate cheesecake—I took one of the last slices). It even has its own web page.

My capsule reviews follow:

RED CORNER—Here, Richard Gere turns his attention to the making of anti-Chinese-Communist propaganda. And why not, I say. A guy’s got to turn a buck, even a Buddhist. This whimsical remake of The World of Susie Wong in native context works the Mysterious Asian Beauty angle to death. On the other hand, co-star Bai Ling acts wide circles around RG and has a mug you could stare at for hours. After his arrest for a murder he didn’t commit, Gere is beaten about the face and shoulders by the Head Bad Chinese Man during the requisite “Interrogation by Bad Chinese Mens” scene. With each slap, I said to myself, “That one’s for Cotton Club! And take THAT for King David! And here’s another for And the Band Played On. One found amusement where one could.

I KNOW WHAT YOU DID LAST SUMMER—So do I. You made an especially awful slasher movie. The only redeeming feature here is Freddie Prinze, Jr. (What? You didn’t know FP had a kid?), who is excessively easy on the eyes. On the other hand he (a) can’t act and (b) doesn’t take his clothes off even ONCE! Still, he Gets the Girl in the end, and that’s not nothing in an American film. No wonder the tame little school teacher who penned the short story on which this debacle is based is waging a campaign to dissociate herself from the film. Five dead bodies. No breasts. No weenies. One hand torn from its socket and fished out of the ocean in a seine net. Hit-and-Run Fu. Drowning Fu. Ice Hook Fu. Wendell Bob says check it out.

THE DEVIL’S ADVOCATE—I know what you’re thinking. Any movie with Keanu Reeves in it is a must-miss. Well, you’d be right, except for Al Pacino, who is God. (Except in this movie, in which he’s Satan.) Still, Keanu adds a few more facial expressions and a discernible emotion or two to his repertoire in this movie. (Hollywood Gossip: AP is no longer taking calls from KR because KR sucked so bad in the making of this film. But when you’re Al Pacino, pretty much every other actor must suck bad.) Devil’s Advocate has a wicked little sense of humor, which you had to love, and the premise is one you haven’t seen recently. The American Bar Association, however, is boycotting this film on the grounds that lawyers really aren’t the Spawn of Hell, but you couldn’t prove it by me. Keanu “I’m Not Gay But Somebody Has Been Teething on My Nipples” Reeves does display that oh-so-intriguing scar down the middle of his belly but not much else; it’s a shame, especially considering that there are so many nekkid females in this movie I had to come home and read a Playgirl so as not to wake up hetero.

And, finally,
BOOGIE NIGHTS—Let me put it this way: If you promise not to see this movie, I will SEND YOU seven bucks. This nasty-minded, pathetic, depressing little send-up of late-70s excess fits the Supreme Court definition of pornography: Not a single redeeming social value. Imagine Bret Easton Ellis meets Long Dong Silver. I felt so icky afterwards I wanted to invite everyone in the theater back to my place for a shower. And not a cold one, either. With the opportunity in hand, so to speak, to make Hollywood history by constructing the first phallus extender ever to be shown in a mainstream movie, the makers of this adolescent sex farce managed to create, instead, the world’s ugliest fake penis. Besides, by the time you get to see Marky Mark’s prosthetically enhanced Unit in the last scene, you are so tired of hearing about his dick you’re ready to go over to the lesbians. The special-effects people in this movie ought to be taken out and beaten to death with dildos. (Note to Dan Quayle: Or should that be “dildoes”?)
And that’s alls I know.

In other news:

And that, dear ones, is the state of my soul. My apologies to you in advance for the somewhat impersonal nature of this update, but I just don’t get as much correspondence done as I used to. I LOVE to hear your email news, though, and will try to get back to you with at least a line or two.

Much love and all good things for 1998!